DaVinciCode
I saw the movie last Sunday. I read the book a couple of years ago.
I had thought that except for the controversial part about Jesus and Mary Magdelene, big exception, that it was a B novel at best. Parts very good. Where the encryption gadget and you had to come up with the password. A few things like that, good on their own merits. But it depended a great deal on history, an intriguing distortion of a lot of it, but very interesting for what was true, or close, or sort of close. It got you to thinking, then defending or with a gotcha. Fun in that regard and it made the book.
The critics are tearing it up. I felt bad for Ron Howard. I like him and his work, what I've seen. I thought the critics too critical. It did get pretty heavy and long. It did need some romantic or comic relief to spice it up some where now and then. Just a bit, I thought, not that much. Brown in his book did put a bit of romance in it. Howard left that out, I guess, he wanted to concentrate on the parts that made it such a smash as a book.
I loved the way he did his historical flashbacks. I'm so into history that maybe that was why I was more forgiving than the critics seem to be. But a bit of relief, a break now and then, would have been nice, but it did have a lot of material to cover and I guess Howard wanted to get it in there. The material was great.
Even then, parts that were distorted or lying with the facts in parts, did make me cringe a bit. A couple of places the Tom Hanks character changed his part from the book, to defuse some of the controversy. One was saying it's what you believe that's important. The other one, I loved.
Teebing, the rich guy, said like in the book, how Constantine forced all the priests and scholars to accept his view, etc. How Constantine distorted the Christian religion, etc. I've heard that before by people that want to suck you into their point of view, like in the book. Tom Hanks came out immediately in the movie and said, that isn't true, and explained that the Christian church was in a lot of turmoil then and at each other's throat, etc. over doctrine. Hanks explained it very nicely actually. He didn't name the Arians by name, but it was them he was talking about. They didn't believe in Christ's divinity, he was a great prophet, the stance Mohammed took three hundred years later as he converted many of these Christians into Moslems. I loved that Howard corrected that. He let Teebing have his say and come up with the Gnostics, also a heretical group, but one with a lot of insight, and a group I like certain things about. But they distorted many historically correct Christians and traditional doctrine too. Constantine simply wanted all the factions to come up with something he could adopt as a state sponsored religion. For political reasons, stability being one of them.
But even where he got some facts straight, it suited him to distort the truth. It mentioned how Constantine was a pagan and remained so until his deathbed baptism. Factually, that is correct, but it paints a totally false picture. Conveniently again, like a lot of people need to do, especially with Constantine. Constantine did what many, maybe even most, Christians did in those days. They waited until the last second to get baptized. They believed for whatever reason, that if they got baptized upon conversion, or beliefs into Christianity, and then sinned or backslid, that they were doomed to hell. No redemption. So, they waited until it was basically too late to backslide, at their death.
And again, either in ignorance, or because people need to believe it, they take the Gnostic Gospels so literally. Dan Brown and the movie did too. The Gnostics didn't even do this. They wrote gospels and stories and created images for symbolism, for effect. They did believe it in a vague sense, like a dream has meaning.
It was an incredibly interesting part of history. A lot was. I loved the movie for this and many other things. The fact that it crammed so much of this serious stuff in, I can appreciate that in the entertainment world you can only take so much of. And Hanks' character and the girl's, they were so stiff a lot. Some criticism is warranted, but nothing like the moans and groans I hear.
I was shocked actually. The way they tore into Mel Gibson's movie on Christ, when it was overall very well done. Anything to knock the established version, tradition, etc., that's the norm these days and like the TV series Commander-in-Chief, it bombed bad, but the critics adored it. They even had to lie about Gibson's, to make you think worse of it.
But they hated the DaVinci Code enough in spite of it tearing the traditional church apart. Shocked me. And all because it was too seriously done, in temperment. That was a problem, but only a bit. The intrigue was still very much there and again, the flashbacks were hypnotic, they were so well done.
I had thought that except for the controversial part about Jesus and Mary Magdelene, big exception, that it was a B novel at best. Parts very good. Where the encryption gadget and you had to come up with the password. A few things like that, good on their own merits. But it depended a great deal on history, an intriguing distortion of a lot of it, but very interesting for what was true, or close, or sort of close. It got you to thinking, then defending or with a gotcha. Fun in that regard and it made the book.
The critics are tearing it up. I felt bad for Ron Howard. I like him and his work, what I've seen. I thought the critics too critical. It did get pretty heavy and long. It did need some romantic or comic relief to spice it up some where now and then. Just a bit, I thought, not that much. Brown in his book did put a bit of romance in it. Howard left that out, I guess, he wanted to concentrate on the parts that made it such a smash as a book.
I loved the way he did his historical flashbacks. I'm so into history that maybe that was why I was more forgiving than the critics seem to be. But a bit of relief, a break now and then, would have been nice, but it did have a lot of material to cover and I guess Howard wanted to get it in there. The material was great.
Even then, parts that were distorted or lying with the facts in parts, did make me cringe a bit. A couple of places the Tom Hanks character changed his part from the book, to defuse some of the controversy. One was saying it's what you believe that's important. The other one, I loved.
Teebing, the rich guy, said like in the book, how Constantine forced all the priests and scholars to accept his view, etc. How Constantine distorted the Christian religion, etc. I've heard that before by people that want to suck you into their point of view, like in the book. Tom Hanks came out immediately in the movie and said, that isn't true, and explained that the Christian church was in a lot of turmoil then and at each other's throat, etc. over doctrine. Hanks explained it very nicely actually. He didn't name the Arians by name, but it was them he was talking about. They didn't believe in Christ's divinity, he was a great prophet, the stance Mohammed took three hundred years later as he converted many of these Christians into Moslems. I loved that Howard corrected that. He let Teebing have his say and come up with the Gnostics, also a heretical group, but one with a lot of insight, and a group I like certain things about. But they distorted many historically correct Christians and traditional doctrine too. Constantine simply wanted all the factions to come up with something he could adopt as a state sponsored religion. For political reasons, stability being one of them.
But even where he got some facts straight, it suited him to distort the truth. It mentioned how Constantine was a pagan and remained so until his deathbed baptism. Factually, that is correct, but it paints a totally false picture. Conveniently again, like a lot of people need to do, especially with Constantine. Constantine did what many, maybe even most, Christians did in those days. They waited until the last second to get baptized. They believed for whatever reason, that if they got baptized upon conversion, or beliefs into Christianity, and then sinned or backslid, that they were doomed to hell. No redemption. So, they waited until it was basically too late to backslide, at their death.
And again, either in ignorance, or because people need to believe it, they take the Gnostic Gospels so literally. Dan Brown and the movie did too. The Gnostics didn't even do this. They wrote gospels and stories and created images for symbolism, for effect. They did believe it in a vague sense, like a dream has meaning.
It was an incredibly interesting part of history. A lot was. I loved the movie for this and many other things. The fact that it crammed so much of this serious stuff in, I can appreciate that in the entertainment world you can only take so much of. And Hanks' character and the girl's, they were so stiff a lot. Some criticism is warranted, but nothing like the moans and groans I hear.
I was shocked actually. The way they tore into Mel Gibson's movie on Christ, when it was overall very well done. Anything to knock the established version, tradition, etc., that's the norm these days and like the TV series Commander-in-Chief, it bombed bad, but the critics adored it. They even had to lie about Gibson's, to make you think worse of it.
But they hated the DaVinci Code enough in spite of it tearing the traditional church apart. Shocked me. And all because it was too seriously done, in temperment. That was a problem, but only a bit. The intrigue was still very much there and again, the flashbacks were hypnotic, they were so well done.

1 Comments:
At 8:14 AM,
Seven Star Hand said…
Hello CottonSr all,
Want to understand what the symbology of your blog title really means? Check my (FREE) book for ascend, sun, east, and wings. I like the title by the way...
You may not initially agree with everything I reveal, but be a little patient with my long-winded presentation of what I have waited a very long time to be able to say. I promise to amaze and enlighten.
Peace...
Here is the key to understanding what the Vatican and Papacy truly fear...
Pay close attention, profundity knocks at the door, listen for the key. Be Aware! Scoffing causes blindness...
Here's a real hot potato! Eat it up, digest it, and then feed it's bones to the hungry...
There's much more to the story of the Vatican's recent machinations than meets the eye. It's not the DaVinci Code or Gospel of Judas per se, but the fact that people have now been motivated to seek out the unequivocal truth about an age of deception, exactly when they expect me to appear. These recent controversies are spurring people to reevaluate the Vatican/Papacy and the religions that Rome spawned, at the worst possible time for them.
Remember, "I come as a thief..." ?
The DaVinci Code novel and movie are no more inaccurate as literal versions of history than the New Testament. The primary sub-plot involved purposeful symbology being used to encode hidden meanings, exactly like the Bible and related texts. In other words, none of these stories represent the literal truth. This is the common and pivotal fact of all such narratives about ancient Hebrew and Christian history. Debating whether the DaVinci Code, Gnostic texts, or the Bible are accurate history is a purposeful ploy designed to hide the truth by directing your inquiry away from the heart of the matter.
There is a foolproof way to verify the truth and expose centuries-old religious deceptions. It also proves why we can no longer let the Vatican tell us what to think about ancient history or much else. It is the common thread connecting why the ancient Hebrews, Yahad/Essene, Jews, Gnostics, Cathars, Templars, Dead Sea Scrolls, DaVinci Code, and others have been targets of Rome’s ire and evil machinations. The Vatican and its secret society cohorts don’t want you to understand that the ancient Hebrew symbology in all of these texts purposely encodes and exposes the truth about them. Furthermore, the structure of ancient wisdom symbology verifiably encodes the rules to decode messages built with it. This is what they most fear you will discover.
If the Bible represented the literal truth or even accurate history, there would be no need for faith in the assertions of deceptive and duplicitous clergy and their ilk. It is undeniable the New Testament is awash with ancient Hebrew symbolism and allegory. The same is evidenced in the Old Testament, Dead Sea Scrolls, Gnostic texts, biblical apocrypha, Quran, DaVinci Code, and other related sources. All ancient religious, mystical, and wisdom texts have been shrouded in mystery for millennia for one primary reason: The ability to understand their widely evidenced symbology was lost in antiquity. How do we finally solve these ages-old mysteries? To recast an often-used political adage: It’s [the] symbology, stupid!
It is beyond amazing that the Vatican still tries to insist the Gospels are the literal truth. Every miracle purported for Jesus has multiple direct symbolic parallels in the Old Testament, Apocalypse, Dead Sea Scrolls, and other symbolic narratives and traditions. Recasting the symbolism of earlier Hebrew texts as literal events in the New Testament is one of the central deceptions associated with Christianity. This is part of the secret knowledge held by the ancient Gnostics, Templars, Cathars, and others, which is presented with dramatic effect in the DaVinci Code. None of these narratives or stories were ever intended as the literal truth. This fact is the key to unraveling many ages-old mysteries and exposing the truth about the Vatican's long-term deceptions.
Moreover, the following Washington Post article (The Book of Bart) describes how many changes and embellishments were made to New Testament texts over the centuries, unequivocally demonstrating they are not original, infallible, or truthful. When you combine proof that the New Testament Gospels are not wholly literal with proof that these texts were heavily reworked in the early years of Christianity, you are left with only one possible conclusion. The Vatican has long lied to everyone about the central tenets and history of Christianity. This revelation also proves they are not the Creator’s representatives but Her long-time opponents. The recent hoopla over the Gospel of Judas and DaVinci Code demonstrates they are still desperately trying to deceive the world and obfuscate their true nature and activities.
It's no wonder the Vatican fears the truth more than anything else. As further proof of these assertions, seek to understand the symbolic significance of my name (Seven Star Hand) and you will have proof beyond disproof that Jews, Christians, and Muslims have long been duped by the great deceivers I warned humanity about over the millennia. What then is the purpose of "faith" but to keep good people from seeking to understand the truth?
Now comes justice, hot on its heels... (symbolism...)
Not only do I talk the talk, I walk the walk...
Here is Wisdom!!
Revelations from the Apocalypse
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